创作的压抑，让塔可夫斯基最终选择远赴意大利，接受西方制片人的邀约拍摄《乡愁》。他将对民族性的无穷追问糅进了《乡愁》的镜头里。剧情从来都不是这部影片的核心，漂泊、回忆、孤独，还有对故土深入骨髓的怀念，共同交织成如雾霭般难以散去的哀愁。在日记中，他记录着在意大利的创作心境，也写下了对这部作品的期许，而影片中那个戈尔恰科夫手持蜡烛缓缓走过水池的漫长镜头，不仅成为电影艺术史上不可复制的经典，更成为塔可夫斯基的“自我画像”，照见了一个异乡人的精神漂泊。
「精日展覽館」一名曾出現在名為「revealscum.com」網站的標誌上。OpenAI在2024年5月首次揭露該網站，指出其與頻繁發布垃圾信息的中國水軍行動「Spamouflage」相關。
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The real annoying thing about Opus 4.6/Codex 5.3 is that it’s impossible to publicly say “Opus 4.5 (and the models that came after it) are an order of magnitude better than coding LLMs released just months before it” without sounding like an AI hype booster clickbaiting, but it’s the counterintuitive truth to my personal frustration. I have been trying to break this damn model by giving it complex tasks that would take me months to do by myself despite my coding pedigree but Opus and Codex keep doing them correctly. On Hacker News I was accused of said clickbaiting when making a similar statement with accusations of “I haven’t had success with Opus 4.5 so you must be lying.” The remedy to this skepticism is to provide more evidence in addition to greater checks and balances, but what can you do if people refuse to believe your evidence?